Farmland in Upstate New York

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Farmland in Upstate New York

Centuries ago, European farmers would seal the wood on their barns with an oil, often linseed oil — a tawny-colored oil derived from the seed of the flax plant. They would paint their barns with a linseed-oil mixture, often consisting of additions such as milk and lime. The combination produced a long-lasting paint that dried and hardened quickly. (Today, linseed oil is sold in most home-improvement stores as a wood sealant). Now, where does the red come from?

In historically accurate terms, "barn red" is not the bright, fire-engine red that we often see today, but more of a burnt-orange red. As to how the oil mixture became traditionally red, there are two predominant theories:
•Wealthy farmers added blood from a recent slaughter to the oil mixture. As the paint dried, it turned from a bright red to a darker, burnt red.
•Farmers added ferrous oxide, otherwise known as rust, to the oil mixture. Rust was plentiful on farms and is a poison to many fungi, including mold and moss, which were known to grown on barns. These fungi would trap moisture in the wood, increasing decay.

Regardless of how the farmer tinted his paint, having a red barn became a fashionable thing. They were a sharp contrast to the traditional white farmhouse.

Posted by SevenOneSeven MamboDan on 2012-10-23 02:42:12

Tagged: , barn , red , red barn , farmland , nys , New York State , country , farm , HDR … Read More

Ceiling Fan Pros and Cons

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Guess what? The title of this article is just out-and-out misleading. The only real “con” when it comes to a ceiling fan is what it takes to get one properly installed. Ceiling fans can be difficult to install for the inexperienced do-it-yourselfer. In some cases, you will need to run an electrical line to the area where the ceiling fan is to be installed. Unless you are adept at doing this sort of thing, hiring a licensed, bonded and qualified electrician will more than likely save you much grief in the long run.

There is also the minor “con” that involves the issue of periodic maintenance. Properly installed, a ceiling fan will provide years and years of pleasant cooling and cost-savings on your heating bill (assuming you have a fan that allows you to reverse the blade direction). Granted, you need to wipe down the blades once in a while but then, everyone has household cleaning chores to take care of from time to time.

On occasion, ceiling fans get out of balance and need minor adjustments. The most common culprits are loose screws that attach the blades to the motor housing, blades that are not at the same angle (pitch) as the rest of the blades and a blade or blades that weigh slightly more than the others.

Without going into great detail, make sure that all the screws are tight. If they aren’t tighten the ones that have come loose and run the fan. If the wobbling has stopped, your problem has been solved.

If not, use a yardstick or other straight piece of wood and place it (with the fan stopped) vertically at the outer edge of one of the blades. Rotate the blades by hand to make sure that each blade touches the stick. If one or more don’t, simply (and gently) bend the blade(s) so that their pitch matches the others and repeat the process until you are satisfied that each blade has the same pitch. Turn the fan on again and see if you’ve solved the problem.

If not, you’ve got a weight problem (I don’t necessarily mean you, personally). The weight problem is with one or more of the blades weighing slightly more than the others. This sometimes happens when the blades are made of natural, organic material such as wood. Manufacturers often include what are called “balancing weights” in the box with the ceiling fan. These can be used to compensate for any differentials in weight that may have resulted over time. These “balancing weights”, or clips as they are sometime called, can be attached to the top of the blade so that they are virtually out of sight. Start with one blade by attaching the clip close to where the blade is attached to the motor. Run the fan. If the problem persists, move the weight out towards the end of the blade. Try running the fan again. If the problem persists, keep moving the weight. If you are near the … Read More

Kitchen Remodel: Part 15: Breakfast Bar – Part C

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I have made the drawers for the breakfast bar. The boxes for the drawers are constructed in the same manner as the drawers in the rest of the kitchen. The side …

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Liverool coperation atlantean L501 Reg No 501 KD

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Liverool coperation atlantean L501 Reg No 501 KD

seen parked on travis street mancheste on rMay 4, 2013 at 4.30PM BST

L501 was numerically the second vehicle from Liverpool’s batch of 200 Leyland Atlanteans (L500 to L699) bodied by Metro Cammell which were delivered between November 1962 and September 1964.

The bus was rebuilt prior to delivery with a revised rear end design, which differed from the other buses being built at the same time, and was displayed on Metro Cammell’s stand at the 1962 Commercial Motor Show held at the Earls Court Exhibition Centre in London. This revised rear end design was adopted for the vehicles delivered from May 1963 (L560 to L699).

The body was designed by Liverpool Corporation and incorporated ideas that were interpreted from contemporary car designs of the period and was a great improvement on the bodybuilder’s standard product available at the time. Buses built to Liverpool’s design were also delivered to Bury and Bolton Corporations. The chassis of these Atlanteans differed from Leyland’s standard chassis.

Liverpool had rebuilt its original 1959 experimental Atlantean, E2, with numerous new features and most of these were incorporated in the production batch. It was found that by moving the steering column and driver’s controls to the offside by a few inches, a wider platform area was created improving passenger loading times. It also made it easier to reverse the bus as the driver had improved vision. The wheelbase was also extended by six inches to allow for the seating to be arranged in a back-to-back fashion over the rear wheel arches, increasing the seating capacity.

Large-scale introduction of the Atlanteans was delayed whilst the unions and the Corporation settled their differences over the use of bigger buses. So it was not until 4th February 1963 that the first routes, the 86 & 87 Pier Head – Garston Circular, were converted to Atlantean operation and L500 to L519 were allocated to Garston Garage for use on these routes. L501 remained at Garston garage until it was de-licensed in July 1969, after which it underwent a "B4 Dock", which was the initial overhaul that buses required after seven years’ service. This was required for a Certificate of Fitness, the equivalent of a MOT, to be issued. The B4 Dock was a very thorough overhaul which saw nearly all the exterior panelling removed to enable the basic structure of the vehicle to be checked for damage and corrosion, and rectified if required. The The mechanical and electrical components would also be checked and replaced where necessary. Following repanelling and a repaint the bus would emerge almost like new.

L501 was converted to facilitate One-Man-Operation at the same time as the overhaul, this included fitting a periscope, simplified destination displays and equipping the driver’s cab with a cab door that housed ticketing and cash handling equipment. On completion L501 was returned to Garston Depot.

The 1st December 1969 saw the formation of the Merseyside Passenger Transport Executive, which took over the responsibility of running the buses from the corporations of … Read More

Madden 17 News | Defensive Improvements – Gap Play & Run Defense

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More Madden 17 news today! It’s all about defense as we go through improvements with gap play & techniques for run defense. We are waiting on gameplay, …

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