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The Royal Pavilion is a former royal residence located in Brighton, England, United Kingdom. It was built in three stages, beginning in 1787, as a seaside retreat for George, Prince of Wales, who became the Prince Regent in 1811. It is often referred to as the Brighton Pavilion. It is built in the Indo-Saracenic style prevalent in India for most of the 19th century.
he Prince of Wales, who later became George IV, first visited Brighton in 1783, at the age of 21. The seaside town had become fashionable through the residence of George’s uncle, Prince Henry, Duke of Cumberland, whose tastes for cuisine, gaming, the theatre and fast living the young prince shared, and with whom he lodged in Brighton at Grove House. In addition, his physician advised him that the seawater would be beneficial for his gout. In 1786, under a financial cloud that had been examined in Parliament for the extravagances incurred in building Carlton House, London, he rented a modest erstwhile farmhouse facing the Steine, a grassy area of Brighton used as a promenade by visitors. Being remote from the Royal Court in London, the Pavilion was also a discreet location for the Prince to enjoy liaisons with his long-time companion, Maria Fitzherbert. The Prince had wished to marry her, and did so in secrecy, as her Roman Catholic religion ruled out marriage under the Royal Marriages Act 1772.
In 1787 the designer of Carlton House, Henry Holland, was employed to enlarge the existing building, which became one wing of the Marine Pavilion, flanking a central rotunda, which contained only three main rooms, a breakfast room, dining room and library, fitted out in Holland’s French-influenced neoclassical style, with decorative paintings by Biagio Rebecca. In 1801–02 the Pavilion was enlarged with a new dining room and conservatory, to designs of Peter Frederick Robinson, in Holland’s office. The Prince also purchased land surrounding the property, on which a grand riding school and stables were built in an Indian style in 1803–08, to designs by William Porden; these dwarfed the Marine Pavilion, in providing stabling for sixty horses.
Between 1815 and 1822 the designer John Nash redesigned and greatly extended the Pavilion, and it is the work of Nash which can be seen today. The palace looks rather striking in the middle of Brighton, having a very Indian appearance on the outside. However, the fanciful interior design, primarily by Frederick Crace and the little-known decorative painter Robert Jones, is heavily influenced by both Chinese and Indian fashion (with Mughal and Islamic architectural elements). It is a prime example of the exoticism that was an alternative to more classicising mainstream taste in the Regency style.After the death of George IV in 1830, his successor King William IV also stayed in the Pavilion on his frequent visits to Brighton. Queen Victoria, however, disliked Brighton and the lack of privacy the Pavilion afforded her on her visits there, especially once Brighton became accessible to Londoners by rail in 1841, and the cramped … Read More
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yesterday i had to teach till 10pm. when i finally got home, i still wanted to busy myself with photography but had done no shooting all day, so i started digging deep into my archive of RAWs — and thankfully i’m an image packrat and almost never delete a capture.
that was a painful experience — how awful the images are! i started shooting regularly in china, but not only did i know next to nothing, i had no idea what i didn’t know. i’m thankful that i started, and i can see i’ve improved, so i guess i shouldn’t feel so bad, but really, so few frames are salvageable!
then this morning, i saw a wonderful video by lisa greenfield, called the future of the brain, that immediately flew and embedded itself into my blog, all about the mind, the brain and how its structure defines us. i knew most of this information already, but the video presented things in a comprehensive manner and i enjoyed it thoroughly. together with the improvement of my skills that i perceived last night, it gave me a very deep insight into the nature of our existence, the plasticity of minds, and why we should substitute anger with compassion for others who don’t think like we do.
the structure of beijing’s bird nest kind of reminded me of interconnections, thus the title from the corresponding word in greek.
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